EGONLAB Fall/Winter 2026

Egonlab has never been a brand for quiet reflection, but its Fall/Winter 2026 collection, titled Lazarus, felt like a moment of resurrection. Presented in the midst of an industry wrestling with economic pressure and creative fatigue, the collection spoke to a desire for artistic rebirth. Designers Kevin Nompeix and Florentin Glémarec called it an “awakening,” a return to their raw, experimental roots and a refusal to play safe. The name Lazarus itself carried layers of meaning: a resurrection, a confrontation with the self, and an act of defiance against the industry’s numbing pursuit of profit.

The clothes echoed that energy. Black dominated, but it was far from austere. Sharp tailoring appeared alongside trompe-l’œil prints that mimicked crumpled fabric, while feathers, studs, and asymmetries gave each look a sense of restless transformation. Silhouettes were built on exaggerated proportions — broad shoulders, sculpted waists, and layered skirts and jackets that blurred gender and structure. Denim became architectural, treated like a puzzle of folds and stitched panels, while tailoring seemed to pulse between discipline and disarray. It was a collection that looked like it was still in motion, suspended between collapse and creation, which is precisely where Egonlab thrives.

This sense of renewal was deepened through collaboration. A capsule with Tinder titled Love Will Not Tear Us Apart brought irony and optimism to the runway, its message of connection undercutting the darkness of the season. A couture feather piece by Maison Février, alongside a hand-woven Converse sneaker, reinforced the idea that rebellion can still be beautiful when grounded in craft. In a world that often rewards conformity, Lazarus felt alive with contradiction — romantic yet raw, political yet personal. Egonlab is still searching for truth in the noise, but this collection proved they have no intention of going quietly.