Richard Quinn Fall 2026

At Sinfonia Smith Square Hall, Richard Quinn reminded London Fashion Week what precision looks like. His Fall/Winter 2026–27 collection was a study in control, proving that glamour still has a pulse in a city often distracted by its own irreverence. The show unfolded like theatre, models gliding through the space in gowns that shimmered and curved with intention. Quinn has long balanced drama with discipline, and this season that equilibrium felt sharper than ever.

The hourglass ruled his runway. Corsets and peplums sculpted silhouettes into deliberate shapes, emphasising hips and cinching waists without apology. Black velvet gowns trailed behind structured bustiers, while mermaid skirts opened into frothy tulle. A monochrome polka-dot column dress split open at the front to reveal a satin underskirt, an image of duality that captured the collection’s essence. Embellishment, too, was controlled. Crystal brooches fastened necklines and framed décolletages, their sparkle integrated rather than ornamental. It was jewellery as structure, not decoration.

Floral prints, always Quinn’s signature, bloomed across the surface of black gowns, their density balanced by pale lemon and white embroidery that hinted at lightness. Feathers appeared sparingly, brushing against hems and cuffs like punctuation marks. The palette was sober yet seductive, anchored in black and white with glimpses of pink, yellow and mint. After seasons of oversized ease, Quinn’s insistence on construction felt like a quiet rebellion. His collection did not seek to reinvent glamour but to preserve it, and in doing so, it became the most modern gesture of all.