Dunhill Fall 2026

Dunhill’s Fall 2026 collection opened like a portal into Lord Snowdon’s wardrobe, aristocratic yet restless, refined but imbued with a quietly cinematic energy. These aren’t the suits of stability; they’re the suits of a photographer moving seamlessly between royal drawing rooms and shadowed studios. Super 150s wool-cashmere flannels in sharkskin and bird’s eye set the foundation, while silk pocket squares in polka dots punctuated the tailoring with small, playful rebellions against Simon Holloway’s disciplined cuts.

Texture quickly emerged as the narrative’s real protagonist. Cashmere roll-necks layered under leather-trimmed blazers, alpaca car coats radiated softness and warmth, and windowpane tweeds and magnified nailheads caught the light as if participating in a larger conversation about British textile craft. A graphite suede trial jacket and a grey leather trench bonded with camel hair, meticulously finished by hand, were among the pieces that demanded to be worn rather than simply observed. Every look was lived-in luxury without sacrificing precision.

Accessories carried the story further. Dunhill’s leather goods, including the Alfred, Century and Bourdon bags, arrived in hand-burnished patina calf, perfectly slouched, subtle until you noticed that it was entirely intentional. Chelsea boots and Davies sneakers added versatility, while winter browns and anthracite tailoring took on a cinematic charge, accented by stand-collar Bourdon jackets in exclusive wool-silk jacquards from a Suffolk mill. This was a collection for a man caught between worlds, stealthy, textural, and unmistakably Dunhill, capable of moving from boardroom to basement darkroom without changing a stitch.